1982 IBM Correcting Selectric II
The renown IBM Selectric II was released in 1971, ten years after the wildly successful Selectric I, which exceeded sales projections by the hundreds in a mere six months. The IBM was the precursor of personal computer interface, the gold standard of late 20th century productivity, and an icon of the written word. The first IBM typewriter paved the groundwork for an empire. It employed a single type element of 64 characters commonly called a "golfball". An element strikingly similar to the rotating drum of the Bickensderfer typewriter from the late 1800s to the early 1900s. While the idea of single element typewriters had been toyed with many times before, in regards to the ease of swapping typefaces, IMB was the first to create a truly remarkable single element machine with unparalleled speed and consistency. It could be related to the Hammond, and the later Varityper, which were both perfected models (Hammond by 1890-1910), but the visibility, reliability, and the versatility of the IBM exceeded both.
The Selectric II is considered by many to be one of the finest operational IMBs, though I myself prefer the styling of the earlier Model 1. The Selectric II was introduced with two major configurations: standard, and correcting. It was the latter feature that set aside the II from the I. This allowed the user to backspace over a typo, and erase it from the page with a single keystroke, thus eliminating the need for white out and erasers. To top it off, it contained an easy to install carbon ribbon cartridge, a rare find on manual typewriters. Carbon ribbons give unparalleled print quality, and their only drawbacks are price and security.
To briefly address carbon ribbon security, it must be understood that carbon ribbons consist of a thin cellophane strip with a layer of carbon that gets pressed into the page. This leaves a negative space on the ribbon in the shape of the typed character. Since that section of ribbon no longer contains usable carbon, it is advanced one whole space. One could unravel the entirety of the ribbon and have a readable record of everything it was used to type. Back during the cold war, a British double agent was uncovered due to his carelessly discarded carbon ribbon.
The Selectric II also employed the interchangeable golf ball system, as well as variable typing pitch of 10 or 12 CPI adjusted by a rotating carriage rack. While the Selectric features are numerous, the components to make it work are more so.
Technological advancements have historically merely been a matter of making things smaller, the perfect example being the inception of the CD, by which a groove is etched into a metalic foil by a laser. It's larger predecessor, the LP was a groove etched by a diamond, and the LP's larger predecessor was shellac etched by a steel needle. In order to create a more complex piece of technology, the components must be made smaller. Similarly, the first IBM computer was a monstrosity of mechanical components, and the Selectric was a mere small portion of all that. It is at its very core, a 6 bit binary to analogue mechanical computer.
I personally found the whiffletree to be an ingenious device. It is based off of geometric principles, and uses basic single bit inputs to generate specific systematic movements. This device originated as a force distributer from agriculture, designed to help distribute the pulling force of working animals. The IBM whiffletree is much more complex, and a great video on how it works can be found here.
As far as my experience with Selectrics go, I never thought I'd own one. They seemed to be one step more complex than what I was willing to work on, as electronics aren't my thing. Though given how Selectrics are completely mechanical, and how many clients I've turned down, and the potential of creating a short film based off a story I wrote, I decided it was high time to get myself a Selectric and learn the craft. Of course I'd love to have a red correcting selectric II, but I'd settle for a black one with black keys, which is precisely how I ended up with two. Two for parts, non-working IBMs. The first was tan with black keys, and the second was black with light grey keys. My goal was to fix both, and swap the body shells...maybe. At the time of writing this I am 50% done with the tan one, and have yet to even see the black one (which shipped yesterday).
The tan IBM arrived complete with a bag of parts. It had a broken tab pulley, which I take is common. The base consists of old brittle plastic under high spring tension. It also had the tab cable (which advances the carrier) and some correction tape. I needed to supply the missing carrier return cable, which is a little longer in length. The lengths on these two ropes aren't needed to quite the same degree of perfection as the tilt and rotation tapes.
By the time I had remedied the issues I could tackle without parts (i.e., cleaning) I had yet to receive my IBM cartridge from Staples. Doing what I generally do, as you might have seen with the Blick 9 (though I type this article before even beginning to type up the Blick), I used a sheet of paper half coated in fine drawing charcoal, which I then fold in half charcoal inward. It creates a primitive sort of carbon paper that allows me to test non-fabric ribbon machines.
As you can see, the IBM indexes letters just fine on the capital setting, but once you switch to lowercase, there seems to be an issue. From what I gather, there are three causes. Improper length of the rotation tape is not the culprit, as it indexes fine on the second hemisphere. The tilt is also fine, as I tested an entire row of letters top down, and even though rotation was off, they all printed on the same line. No, the culprit was either improper setting of the shift pulley, shift pulley bearing wear (which is common), or as stated before the tape, but that wasn't the cause. The easiest way to test of course was to place my thumb on the shift pulley and apply a dot of pressure as I typed lowercase. The letters indexed on their own just fine, so I took the machine body off and adjusted the setting screw. The other thing that can go wrong is the type head, or gummy tape pulleys. On my machine, the head was completely stuck on. What I ended up having to do, was cut off the top plastic cap, pry out the spring, and then type with the ball until it broke itself free. The teeth, index pin, and the post all looked alright, so I cleaned and lubricated the head, and the took a look at the rotate pulleys. The pullies on either side were stiffed up, and after some work on cleaning out the bearings, the machine began to index better. Still has issues, but until I finish the rest of the machine, I will avoid adjusting the tension of the tapes underneath the machine.
Reinstallation tip, all OP shaft flat spots for set screws are on the same side. There is a blank face between the OP shaft support collar and the shift bearing collar for you to line things up. Remove the screw from the cam ratchet all the way, and locate the flat spot through the screw hole, you will see the chewed metal bit from where the set screw used to sit. Line it up, and screw it back down. As you maneuver the shaft back in place, the cams will go in easier. There are lower latches and cam followers (4 in all) to move to allow it to go back into place.
Of course one of the final bits to install would be the two internal plastic dust covers. Just by looking at it one might come to the conclusion that they don't do a whole lot, and really, they don't. To be honest, it's probably only there to prevent dumb little kids or animals from sticking their fingers down into the moving parts. I probably won't even bother as this machine is trouble enough as is.
The crisp carbon print looks absolutely amazing, especially on this lovely Strathmore 100% Cotton paper. All in all I expected to be done in an afternoon, and instead it was three long weeks fueled by anger and multiple $20-30 purchases. I'll probably edit this in a week or so and add videos below, but it is time to rest and consider this a job well done. I have also been working on a Royal O model and an Underwood Universal, and have two super super exciting machines coming in. Those are a surprise ;)
You have certainly done better than Adam has on his. :D
ReplyDeleteIf anyone disbelieves that Selectric repair is akin to witchcraft, one only needs to point to the incantations in your notes.